Great interview about Murderbot:

Bifurcating Character with Incisive and Witty Inner Monologue: a Masterclass with ‘Murderbot’ Co-Showrunners Paul Weitz and Spirit Awards Winner Chris Weitz


Since SecUnits issued by the Corporation Rim ­(a group of mega-corporations ruling the galaxy in the distant future) are sentient, complete obedience to human orders is guaranteed by the “governor module” in each unit. However, Murderbot (Alexander Skarsgård, who nabbed an Emmy for his intricate and chilling performance in the HBO series, Big Little Lies), figures out how to disable its module to gain autonomy. “Murderbot is sentient from the get-go — it’s basically a slavery narrative. It’s important to Martha that Murderbot was always sentient,” Chris says of the close collaboration with consulting producer, Wells. “All the SecUnits are under human control. They can think for themselves but can’t act for themselves. So, they experience this torture of being at the disposal of others.” In addition to exploring themes of humanity and free will, the series also calls into question the issue of personhood, as Paul notes: “To what degree are we going to grant personhood to non-human intelligence?”

https://www.filmindependent.org/blog/bifurcating-character-with-incisive-and-witty-inner-monologue-a-masterclass-with-murderbot-co-showrunners-paul-weitz-and-spirit-awards-winner-chris-weitz/


***


I'm trying to get back into the swing of things after basically three weeks of travel in October, catching up on household stuff, trying to get ready for the holidays, getting back into working on the current book. I think I was more mentally exhausted than physically, but it was still a lot.

I didn't stay more than a day in any one city (except for two nights in Allentown, PA, which was lovely) and I was mostly leaving before most of the hotels started to serve breakfast, so I was living on a lot of airplane food. I did get to ride the train for the first time in the US (the Acela Amtrack) which was fun. I've ridden trains in Sweden, the Netherlands, and Scotland, but never here.

There was a lot of emotional overwhelm, seeing so many people, but also it felt really good, because they were all people who cared about books and art and creativity. The smallest crowd was in New York, about 40-50 people, the largest was in Seattle with around 300. The Texas Book Festival in Austin was like an encapsulation of the whole trip, being in a giant crowd of people (the largest in the festival's 30 year history) who were all "books, books, books!" I've heard that people seemed to be going to more arts-related events lately, and that was what I saw on my trip.